The Power That Preserves | My Web Site Page 344 Chapter 03 Page 06

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Handel, of course, is Madame Patey. Give Madame Patey Handel's wig and clothes, and there would be no telling her from Handel. It is not only that the features and the shape of the head are the same, but there is a certain imperiousness of expression and attitude about Handel which he hardly attempts to conceal in Madame Patey. It is a curious coincidence that he should continue to be such an incomparable renderer of his own music. Pope Julius II. was the late Mr. Darwin. Rameses II. is a blind woman now, and stands in Holborn, holding a tin mug. I never could understand why I always found myself humming "They oppressed them with burthens" when I passed her, till one day I was looking in Mr. Spooner's window in the Strand, and saw a photograph of Rameses II. Mary Queen of Scots wears surgical boots and is subject to fits, near the Horse Shoe in Tottenham Court Road.

Now, we have seen that the question of the antiquity of man is intimately connected with that of the Glacial Age. That is to say, the relics of man as far as we know them in Europe, are found under such circumstances that we feel confident they are not far removed from the period of cold. For it will be found that those conservative scholars who do not think that man preceded the Glacial Age, or inhabited Europe during the long course of years included in that period, do think he came into Europe as soon as it passed away. So, in any case, if we can determine the date of the Glacial Age, we shall have made a most important step in advance in solving the problem of the antiquity of man himself. So it seems to us best to go over the subject of the Glacial Age again, and see what conclusions some of our best thinkers have come to as to its cause, when it occurred, and other matters in relation to it.

William Blake (1757-1827) was hardly a painter at all, though he drew and colored the strange figures of his fancy and cannot be passed over in any history of English art. He was perhaps the most imaginative artist of English birth, though that imagination was often disordered and almost incoherent. He was not a correct draughtsman, a man with no great color-sense, and a workman without technical training; and yet, in spite of all this, he drew some figures that are almost sublime in their sweep of power. His decorative sense in filling space with lines is well shown in his illustrations to the Book of Job. In grace of form and feeling of motion he was excellent. Weird and uncanny in thought, delving into the unknown, he opened a world of mystery, peopled with a strange Apocalyptic race, whose writhing, flowing bodies are the epitome of graceful grandeur.

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