The Power That Preserves | My Web Site Page 145 Chapter 02 Page 03

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Marius continued his executions and massacres until the whole of Sylla's party had been slain or put to flight. He made every effort to discover Sylla's wife and child, with a view to destroying them also, but they could not be found. Some friends of Sylla, taking compassion on their innocence and helplessness, concealed them, and thus saved Marius from the commission of one intended crime. Marius was disappointed, too, in some other cases, where men whom he had intended to kill destroyed themselves to baffle his vengeance. One shut himself up in a room with burning charcoal, and was suffocated with the fumes. Another bled himself to death upon a public altar, calling down the judgments of the god to whom he offered this dreadful sacrifice, upon the head of the tyrant whose atrocious cruelty he was thus attempting to evade.

That the usurer breaketh the first law, that was made for mankind after the fall, which was, in sudore vultus tui comedes panem tuum; not, in sudore vultus alieni. That usurers should have orange-tawny bonnets, because they do judaize. That it is against nature for money to beget money; and the like. I say this only, that usury is a concessum propter duritiem cordis; for since there must be borrowing and lending, and men are so hard of heart, as they will not lend freely, usury must be permitted. Some others, have made suspicious and cunning propositions of banks, discovery of men's estates, and other inventions. But few have spoken of usury usefully. It is good to set before us, the incommodities and commodities of usury, that the good, may be either weighed out or culled out; and warily to provide, that while we make forth to that which is better, we meet not with that which is worse.

On the infrequent occasions when the dry-paintings are employed, the medicine-man in charge of the ceremony directs his assistants, at daylight, to begin the painting. When it is finished he takes his station close to the easternmost figure of the painting, on its northern side. At the right of the medicine-man sit twelve chosen singers with a drum. The four masked _gaun_, or gods, at the same time take their places at the cardinal points. The patient then enters from the east and sits down on the head of the large figure in the centre of the dry-painting. As he does so the medicine-man commences to sing, and is joined by the chorus at once. They may sing the song four times, or sing four different songs, or any multiple of four, at the pleasure of the medicine-man. When the songs are finished the four masked personages scrape the colored earths into a heap about the patient and rub them in handfuls over his body. If this ceremony proves to be ineffectual, it is believed to be the will of the gods that the patient be not cured.

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